some more pictures from john gallianos 2004 spring collection
Thursday, 7 February 2013
my chosen culture
after a few looking at days of at different cultures like chinese, hindu, african but i feel like i would enjoy doing the egyptian culture because of history of the pharoahs and ther beliefs.
for inspiration i will be using the pharoahs and the way they wrote and john gallianos 2004 spring collection inspired by his hot ballon trip to egypt.
some more pictures from john gallianos 2004 spring collection
some more pictures from john gallianos 2004 spring collection
John Galliano
which contemporary designer researched his latest collection while floating half-a-mile high in a hot-air balloon? The answer, of course, is John Galliano, whose Dior couture show was inspired by an aerial tour of Egypt that included the Valley of the Kings, Cairo, Aswan, and Luxor.
Beginning with Erin O’Connor, resplendent in a gold outfit with massively overblown cuffs, painted face, and a huge empress headdress, Galliano worked what he called “the sphinx line: elongated, tight, attenuated, but crossed with the elegance of Avedon and Penn.
The collection included leopard-print fur stoles with collars, billowing gowns of shadow-dyed organza, with hems twisted and folded into lotus flower shapes, and pyramid-shaped gowns made of dozens of golden mirrors, and printed with hieroglyphics, or the glamorous mummies paraded in bandages of black silk tulle flashing with rainbow sequins. Many wore Nefertiti-like crowns, or long Egyptian "goatees". The models wore breast-plates of turquoise, coral, silver and gold, and earrings the size of "eagles' eggs". All models were outfitted in corsets. The models wore carved and polished wood masks, of Tutenkhamun, or gods like Horus, a falcon, Bast, a cat, or Anubis, a jackal. The masks were made by London milliner Stephen Jones.
Beginning with Erin O’Connor, resplendent in a gold outfit with massively overblown cuffs, painted face, and a huge empress headdress, Galliano worked what he called “the sphinx line: elongated, tight, attenuated, but crossed with the elegance of Avedon and Penn.
The collection included leopard-print fur stoles with collars, billowing gowns of shadow-dyed organza, with hems twisted and folded into lotus flower shapes, and pyramid-shaped gowns made of dozens of golden mirrors, and printed with hieroglyphics, or the glamorous mummies paraded in bandages of black silk tulle flashing with rainbow sequins. Many wore Nefertiti-like crowns, or long Egyptian "goatees". The models wore breast-plates of turquoise, coral, silver and gold, and earrings the size of "eagles' eggs". All models were outfitted in corsets. The models wore carved and polished wood masks, of Tutenkhamun, or gods like Horus, a falcon, Bast, a cat, or Anubis, a jackal. The masks were made by London milliner Stephen Jones.
The collection was one of Galliano's most celebrated collections for Dior.
when i look at john gallianos work from 2004 i feel inspired by how he has created such and eye carching collection with just one trip to egypt.
Wednesday, 6 February 2013
Georgina Von Eztsdorf design house
Georgina Von Etzdorf design house was made by three friends, Jonathon Docherty, Martin simcock and Georgina Von Etzdorf her self
inspriation for my final piece
i found that these pictures can help with my inspirations.
i feel these pictures go with the coliur scheme that i would do for my egyptian culture
i feel these pictures go with the coliur scheme that i would do for my egyptian culture
Cultural Influences, Egytian culture
this week i have been giving my second task todo in Textile design and i had the option of five options
1) Leaves,Roots and Branches
2) cultural Influences
3) Illuminated Manuscripts
4) Decorative Textiles
5) Binding, Wrapping and Knotting
looking threw these options i have come to the conclusion that it would be best for me to do Cultural Influences because there is so many things i could do and theres no limit to my ideas.
while looking threw many Cultures i cam across the Egyptian culture.
This is the great pharaoh tutankhamun he was the most famous youngest pgaraoh to take the throne of egypt at nine years old, if i did egypt for my culture influnce i would use the head piece that is put on the dead pharoahsof egypt.
this dog headed man is Anubis he is the protector/god of the underworld. it was Anubis' to protect the pharaohs tomb which is full of treasure, there would be two statues of anubis at the entrance of the tomb to stop unwanted thieves and gravediggers. if i did egypt culture for my cultural influence i would use the story of anubis the prtector of the tombs to pece into my final piece.
1) Leaves,Roots and Branches
2) cultural Influences
3) Illuminated Manuscripts
4) Decorative Textiles
5) Binding, Wrapping and Knotting
looking threw these options i have come to the conclusion that it would be best for me to do Cultural Influences because there is so many things i could do and theres no limit to my ideas.
while looking threw many Cultures i cam across the Egyptian culture.
I love the idea of hieroglyphics, if i do egyptian for my final piece i would make sure that hieroglyphics would be involved in some way.
this dog headed man is Anubis he is the protector/god of the underworld. it was Anubis' to protect the pharaohs tomb which is full of treasure, there would be two statues of anubis at the entrance of the tomb to stop unwanted thieves and gravediggers. if i did egypt culture for my cultural influence i would use the story of anubis the prtector of the tombs to pece into my final piece.
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